Tastebuds and Saliva
To speak rhetorically is counterproductive for common understanding. To speak literally likewise does not always contribute much, or does it? But to speak has various forms. It can be printed or recorded; it can be silent or deafening. To speak is to express – to reveal what goes unsaid, to repeat what goes unheard, and to resolve what goes stated but ignored. Cinema speaks. It communicates more than it aims and sometimes aims more than what can only be communicated. The medium is limited but has a lot of power, and it thrives and fails with such nature. Cinema has a sharp tongue. It tastes the reality and assumes its knowledge as to live through it. It can also lick what is presented and passively swallow. It tastes and spits, rarely, and almost always misses the ground; but when it does, it will surely leave a spot. When facts can be presented poetically, do meanings become more defined and understanding more essential? In documentary films that are formally stunning and have practi...